Mini Review: The Glass Arrow by Kristin Simmons

The Glass Arrow
Kristen Simmons

Tor Teen
Released February 10, 2015
336 pages
YA / Dystopia

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The Handmaid’s Tale meets Blood Red Road in Glass Arrow, the story of Aya, who lives with a small group of women on the run from the men who hunt them, men who want to auction off breeding rights to the highest bidder.

In a world where females are scarce and are hunted, then bought and sold at market for their breeding rights, 15-year old Aya has learned how to hide. With a ragtag bunch of other women and girls, she has successfully avoided capture and eked out a nomadic but free existence in the mountains. But when Aya’s luck runs out and she’s caught by a group of businessmen on a hunting expedition, fighting to survive takes on a whole new meaning.

If I wanted to make this the shortest review in Working for the Mandroid history I would just say: Kristen Simmons had some big ideas that she couldn’t execute in an interesting, thought-provoking or compelling way, so the whole story reads a bit like fable that has a hard time getting to the point.

But I guess I should go into it a little more. The Glass Arrow is okay with okay characters and a nothing special plot that’s trying to be a feminist text for a budding feminist, but instead it can’t decide whether to remain subtly political so that it doesn’t get in the way of the action or put the feminism issues front in center. The entire novel becomes a stuttering narrative with a somewhat bland protagonist that just left me bored more often than not.

A love interest is shoehorned in, plot conveniences are relied on and highly telegraphed and the resolution of the novel is small. I don’t know if this is the beginning of a series that plans to explore larger issues in the extreme patriarchal society Simmons's has created, but The Glass Arrow doesn’t dive enough into the societal issues to become much of a feminist story. It definitely didn’t have the realism aspect of a novel like The Handmaid’s Tale, which was realistic enough to make me fearful of the potential realities reflected in that book. Instead The Glass Arrow reads like a half-developed idea that could have used some more brainstorming before it was plotted out.

Review: Rule of Three: Fight for Power by Eric Walters

The Rule of Three: Fight for Power
Eric Walters

Farrar, Straus & Giroux
I received an ARC of this book from the publisher.
Released January 20, 2015
352 pages
YA / Dystopian

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The world keeps getting darker in this second reality-based survival adventure in the Rule of Three trilogy

After sixty-six days of a catastrophic global blackout, life in the suburbs is not what it used to be for Adam and his fortified neighborhood of Eden Mills. Although an explosive clash has minimized one threat from outside the walls, Adam’s battle-hardened mentor, Herb, continues to make decisions in the name of security that are increasingly wrenching and questionable. Like his police chief mom and others, Adam will follow Herb’s lead. But when the next threat comes from an unexpected direction, nobody is ready for it. And someone is going to pay the price—because of Adam’s mistakes and mistaken trust.

I am generally a negative person. No matter how hard I try not to be or force myself to be positive, there’s still those quiet voices in the back of my head that is generally pessimistic and thinks the worst about humanity as a whole. Eric Walters gets me. He gets assuming the worst because he’d rather be surprised when something goes right. So the next time someone asks why I think so badly of humanity as a whole, I will hand them Eric Walters’ The Rule of Three series and say, “That’s why.”

Meanwhile Eric Walters will keep giving me nightmare fuel by feeding into my negativity. It’s not a very healthy relationship we have here, Eric, and yet I enjoy it all the same.


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Review: Love in the Time of Global Warming by Francesca Lia Block

Love in the Time of Global Warming
Francesca Lia Block

Henry Holt & Co.
Released August 27, 2013
240 pages
YA / Dystopian / Fantasy

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Her life by the sea in ruins, Pen has lost everything in the Earth Shaker that all but destroyed the city of Los Angeles. She sets out into the wasteland to search for her family, her journey guided by a tattered copy of Homer’s Odyssey. Soon she begins to realize her own abilities and strength as she faces false promises of safety, the cloned giants who feast on humans, and a madman who wishes her dead. On her voyage, Pen learns to tell stories that reflect her strange visions, while she and her fellow survivors navigate the dangers that lie in wait. In her signature style, Francesca Lia Block has created a world that is beautiful in its destruction and as frightening as it is lovely. At the helm is Pen, a strong heroine who holds hope and love in her hands and refuses to be defeated.

Francesca Lia Block and I have a history. She wouldn’t know me if I walked up to her and poked her in the arm, but I have an irrational feeling like I know her. I clung to her Weetzie Bat books as a teenager, going back to them over and over again. They were unlike anything I had ever experienced and none of my friends knew who she was. It was like she was my secret friend, who understood my misfit-ness and could wrap me up in techno-color dreams on the darkest of days.

It’s been a decade since I last picked up one of Block’s books, and I’m no longer in that bleak state of teenagerdom, so I wasn’t sure how Block’s latest series would work for me. I’m a little ashamed that I doubted my secret friend because reading Love in the Time of Global Warming was like coming home after being gone for far too long. It is the same trippy gorgeous weirdness of her previous books wrapped around a solid plot and a leading lady that finds all this hidden strength deep inside of her when the world literally falls apart around her.

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Mini Review: The Maze Runner by James Dashner

The Maze Runner
James Dashner

Delacorte Press
Released October 9, 2009
374 pages
YA / Sci-Fi / Dystopian

Amazon | Barnes & Noble | Book Depository | Indie Bound

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"If you ain't scared, you ain't human."

When Thomas wakes up in the lift, the only thing he can remember is his name. He's surrounded by strangers--boys whose memories are also gone.

Outside the towering stone walls that surround the Glade is a limitless, ever-changing maze. It's the only way out--and no one's ever made it through alive.

Then a girl arrives. The first girl ever. And the message she delivers is terrifying.

This book is a mess. It went from uncompelling bordering on boring to eye-rollingly ridiculous to general WTFery by the end. It reads much like Dashner came up with a half-formed world and continued to get additional ideas as he wrote that he crammed into the novel whether these new things fit or not. He spends more time coming up with incredibly annoying alternative curse words and slang than he does fitting together a cohesive plot, which instilled a fear in me that my eyes might permanently roll into the back of my head.

It doesn’t help that I wanted to punch all of the characters. Male members of my book club said teenage boys act as these boys do, not asking questions and blindly accepting what’s in front of them, but I can’t buy that not one person in two years had any type of curiosity to question the status quo before savior Thomas wandered into the maze. By the time a female shows up, she’s a comatose prop until she becomes a girlfriend prop, lending nothing to the story whatsoever besides an ominous message of doom.

Then the final act comes swooping in like it was ripped from the middle of another book and the characters from The Maze Runner were drawn in on top. Nothing makes sense, nothing is answered, and I still want to punch these boys in the face. The final page hints at something bigger and planted a seed of intrigue, though I don’t know if I’m confident enough based on this book that the future volumes in the series are any more cohesive to provide a satisfying payoff.


While I was just meh on this when I finished it a few weeks ago, it seems time has caused my disdain for this book to grow. I have no idea if that says more about me or the book.

Review: Hungry by HA Swain

HA Swain

Feiwel & Friends
I received a copy of this book from the publisher in return for an honest review.
Released June 3, 2014
384 pages
YA / Dystopian / Creepy

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In the future, food is no longer necessary—until Thalia begins to feel something unfamiliar and uncomfortable. She’s hungry.

In Thalia’s world, there is no need for food—everyone takes medication (or “inocs”) to ward off hunger. It should mean there is no more famine, no more obesity, no more food-related illnesses, and no more war. At least that's what her parents, who work for the company that developed the inocs, say. But when Thalia meets a boy who is part of an underground movement to bring food back, she realizes that most people live a life much different from hers. Worse, Thalia is starting to feel hunger, and so is he—the inocs aren’t working. Together they set out to find the only thing that will quell their hunger: real food.

H. A. Swain delivers an adventure that is both epic and fast-paced. Get ready to be Hungry.

You guys! This book!

I’m tempted to leave my review just like that, but I won’t because that could be a really good “You guys!” or a not so great “You guys!” In this case it’s the good kind. If there is one thing in this world that I love more than books, it’s food, so I was severely uncomfortable yet morbidly fascinated by the concept of Swain’s Hungry from the first pages. Then midway through the book took a sharp turn and drove right into creeptown only to progressively get creepier as the book reached its final pages. I don’t know what subject matter Swain has covered in the past, but this book freaked me out.

Thalia lives in a very materialistic world where no one has to eat food because inoculations and a scientifically perfected liquid have negated hunger after a devastating war that resulted in famine and starvation a generation before her. She lives in a world full of flashy tech distractions that fuel a massive society of consumerism that somehow Thalia has avoided buying in, preferring the vintage clothing from her grandmother’s younger days and hacking into the corporate overlord’s games to try to prove a point.

Then one day she wakes up with an ache deep inside of her, one that causes her abdomen to make crazy noises and causes her scientist mother real concern. She has started feeling hungry in a world where there is no food. This hunger leads her to cross paths with Basil, a boy from outside the walls that surround her privileged life in the inner city. He is from the slums that Thalia didn’t even realized existed, where he has to fight for each bottle of liquid nutrition just to survive as he dreams of a world where food isn’t forbidden. Conveniently he has also started feeling hunger and with the hunger comes to building unruly hormones of being a teenager.

The first half of the book focuses on the world building as Thalia discovers how small of a world she’d grown up with and how corrupt the corporation that rules the country truly is. She finds a slew of people forced to live in poverty outside the dayglow world of her immersive games and interactive advertisements. Midway the book makes a drastic change in both scenery and tone, almost becoming a different book all together. This half is full of creepy conspiracy and general crazy floating through the air like oxygen. It is disturbing and uncomfortable and yet Swain manages to write about these twisted ideas in a way that grabbed me and refused to let me put the book down.

Thalia is a naïve teenage girl that grew up in a bubble of privilege, so she is an easy proxy for the reader in discovering the world without it seeming like one exposition dump after another. As the illusion of the world around her begins to crumble, she grows distinctively until she starts questioning authority figures and refusing to take things at face value. That sort of smart character growth is my favorite and Swain writes the transition naturally without anything feeling forced or out of character.

I have no idea if this is a standalone. There is a door cracked open at the end that could lead to an action-packed second volume, but then again, everything is wrapped up enough to satisfy the particular story Swain was telling. Hungry is an out-of-the-ordinary that challenged my own expectations while maintaining a solid pacing full of action and danger in a world that is both horrifying to a foodie like me and uncomfortably realistic. I have a feeling this one will hang out under the radar, but it reallydeserves more attention.


I received an advanced copy of this book from the publisher. In turn I'm providing my honest review.

Author Blog Tour Guest Post: Jay Posey, Author of Morningstar Falls & Three

I am so excited to have Jay Posey stopping by WFTM again, this time in support of his new release Morningstar Falls. This is the second book in his Legends of the Duskwalker series, which started with the fantabulous Three (one of my favorite reads for 2013). Today he stops by to discuss telling his story from the point of view of a different main character than in Three. Also as a note, Morningstar Falls is on presale on Amazon right now for just $5! Take it away, Jay!

On Changing Horses Midstream

My latest book Morningside Fall is the second novel in a trilogy, and it picks up a little over a year after the first book (titled Three) ends.  Perhaps a little unusually, the main character of the second book isn’t the same as the first.  The main characters of Morningside Fall are Cass and Wren, mother and son, and though they’re both returning characters from Three, neither of them were the primary point-of-view for the first book.  Having a different lead character (or two) for the second book brought its own pros and cons; some creative advantages along with some interesting challenges.

First, the pros.  Probably unsurprisingly, using different leads gave me the opportunity as a writer to explore the world through different eyes and to experience everything from perspectives I hadn’t necessarily spent a lot of time with in the first novel.  I was in Wren’s head especially a lot more in the sequel, and it was good for me creatively to see what life was like for him both internally and externally.  It also gave me the opportunity to give readers more insight into these characters than they would have gotten otherwise. 

Using different characters also gave me a new palette of challenges, obstacles, and threats to work with over the course of the story.  It opened up a lot of interesting possibilities for me, knowing that things that wouldn’t have been much of an issue for Three (the main character of the first novel) could be a matter of life and death for young Wren, for example.  New challenges forced me to find new solutions and took me in directions I probably wouldn’t have explored otherwise.

Finally, I wanted Morningside Fall to be its own story, not just a rehash of the one I’d told in the first book, and adopting new main characters let me experiment with a different tone and theme.  It forced me to think about everything from a different perspective, rather than falling back on things I knew had worked before.  It was scary and frustrating at times, but it was good to challenge myself, to test my own limits, and hopefully to grow as a writer through the process.

Which obviously means it wasn’t all smooth sailing, and there were definitely some downsides.  I wasn’t nearly as comfortable with Cass and Wren as I had been writing Three.  Three was a character I felt I’d known for a long time, and as strange as it may sound, I trusted him enough to know that he’d be able to adapt and overcome whatever I threw at him.  Cass and Wren are both strong characters in their own right, but I didn’t have the same confidence in myself when it came to writing them, and at times I struggled with not being sure whether I was pulling punches or not.  It’s a weird experience to feel like your characters are better people than you might be able to convey.  That really slowed me down more than I had been expecting.

And the big thing: I had no idea how The Audience was going to react to the transition.  I spent a lot of time fretting over that with the second book; a debut novel is a nerve-wracking experience all its own, but at least with the first book I didn’t feel the pressure of Expectation hovering over me.  With the sequel, I knew there would be people out there waiting to see where I took things next, and the fear of disappointing them was pretty strong.  I probably let it get into my head more than I should have, especially since there was no way for me to know how people would react until I actually wrote the thing and got it out there for them to read.

Ultimately, I’m pleased with the story I was able to tell with Morningside Fall, and even though it was a significant challenge for me, I’m glad that I pushed through with my original intent to focus on the characters that I did.  I hope my readers feel the same way.


Thanks for stopping by, Jay! I highly recommend that you guys all read these books because they are fantastic. Here's a bit more about Morningstar Falls. Just a reminder, there are MASSIVE SPOILERS for Three in the description.

Morningstar Falls
Jay Posey

Angry Robot
Releases April 29, 2014
432 pages

Find it on Goodreads

Amazon | Barnes & Noble | Book Depository | Indie Bound

The lone gunman Three is gone, and Wren is the new governor of the devastated settlement of Morningside, but there is turmoil in the city. When his life is put in danger, Wren is forced to flee Morningside until he and his retinue can determine who can be trusted.

They arrive at the border outpost, Ninestory, only to find it has been infested with Weir in greater numbers than anyone has ever seen. These lost, dangerous creatures are harbouring a terrible secret – one that will have consequences not just for Wren and his comrades, but for the future of what remains of the world.


Trailer Park Friday: Animated Batman, Badass Scarlett Johansson & Book to Film Translations

Welcome back to Trailer Park Friday, the irregular feature here at Working for the Mandroid where I post a bunch of videos that have caught my eye. Some of them are trailers, some are clips from shows, some are animated shorts that are just awesome.

This is the 75th anniversary of the very first Batman comic, so DC is doing tons of Batman things this year. They recently had Bruce Timm, one of the guys behind the early 90s Batman: The Animated Series, create a two minute short in a similar style. Yay Batman!

Fernando is responsible for this next one. It's a Game of Thrones parody version of "Let It Go" from Frozen. Please note that there EPIC SPOILERS through the end of this last episode that aired last Saturday. Watch at your own risk.

When we went to see Captain America: The Winter Soldier (which is brilliantly awesome, by the way), there were a couple of cool trailers. One of them was a movie I'd heard about, but didn't really know much about. This is Lucy and I hope it's as surprising and badass as the trailer makes it seem. The film comes out August 8.

This is the trailer for another book that I probably won't ever read because it's just going to make me horribly despressed. This is Chloe Moritz in If I Go, which comes out August 22.

Tom Peretta's The Leftovers is a book I've heard quite a lot of vague praise towards, so toss in Damon Lindeloft (one of the crazy guys behind Lost) as a producer and this is a new HBO series that I'm interested in despite this trailer being vague. The Leftovers starts on HBO on August 30.

And finally the trailer that I was scared to watch. The Giver is one of the books that turned me into an obsessive book reader and it's one of those touchstones that I have watch too much nostalgia towards. Despite not being in black and white, the trailer looks like maybe they didn't screw this adaptation up completely. The Giver comes out on August 15.

And that's all from me this week. Hopefully we'll return next week with more trailers and videos. In the meantime, what videos have caught your interest recently? Post link in the comments!